Celebrated for his ability to deftly combine the inventiveness and vitality of modern art with the rich traditions of Portuguese ceramics, Mario Reis is among Portugal’s most eminent ceramic artists.

Every one of his creations is a new, original statement enhanced with significance, humor, and a great regard for workmanship.

His works span complex ceramic sculptures to massive murals redefining public areas. Working with some of Portugal’s most esteemed art institutions, Mario’s work is found in private collections all over, therefore defining him as a major player in the development of contemporary ceramics.

Raised in an atmosphere where clay and fire sculpted not just materials but also creative vision; he comes from a line of ceramicists. Currently living and working in Caldas da Rainha, a place known for its centuries-old ceramic traditions, where creativity and workmanship abound, he is.

Mario Reis’s path provides insightful analysis for new craftsmen on how to pursue a successful career in ceramics while honoring creative integrity.

Mario, your ceramics reflect both tradition and a modern artistic approach. How did your journey as a ceramic artist begin?

I received training in ceramic modeling between 1990 and 1991 with Master Herculano Elias, an exceptional modeler who was the great-nephew of Francisco Elias, the favorite disciple of Bordalo Pinheiro.

In these lessons, I learned to model various elements, from plants and fruits to animals and, finally, the human body. These works were executed both in bas-relief and in three dimensions. I also learned how to turn plaster and create molds.

The purpose of this course was to prepare us to create original models that would later be produced in factories.

Although I have developed my own artistic language, which is quite different from what I learned in these classes, the training proved to be extremely useful.

Even today, I occasionally use modeling techniques in my pieces, but in a more stylized way.

In addition to modeling and wheel pottery, which I learned from my uncle Armindo Reis, I have always experimented and developed new techniques.

I enjoy combining different techniques in my work and incorporating traditional methods into contemporary pieces.

I do this often with pottery, not only for aesthetic reasons but also as a way to honor the generations of my family who have been dedicated to pottery since around 1850.

How do you find and attract clients in the ceramics industry? What strategies have worked best for you?

My clients have come to me naturally over time. Throughout my career, I have worked on various projects for public spaces, hotels, restaurants, and museums, which has helped introduce my pieces to a wider audience.

Nowadays, I am often contacted by clients who visit Nazaré, where several of my works are displayed in public spaces.

With the rise of the internet and social media, this exposure has increased significantly. These platforms have become essential tools for showcasing my work.

I don’t follow a specific strategy—I simply share posts about what I create, and interested people reach out to me naturally.

In short, my clients either discover my work in person or come across it online.